Friday, April 12, 2019

Little can't overcome its premise

Marsai Martin in Little. Image courtesy Universal Pictures.
Appreciation for Little requires a pretty long look beyond the premise. Because the premise is silly and not meant to be taken too seriously, yet the movie leans on it so heavily to deliver laughs the thing basically breaks midway through the second act. Little does have a couple of things going for it, notably a pretty good cast, but once the premise stops being funny and starts becoming tedious there isn't much left to say about it.

Little stars Regina Hall a wicked wealthy software developer Jordan Sanders. Jordan's success stems from a drive to become important and spurn anything good in her life, including sweet love interest Preston (Tone Bell). Jordan also makes her employees' lives miserable, especially her mousy assistant April (Issa Rae). That is until the day 13-year-old Stevie (Marley Taylor) casts a spell to turn Jordan little again. The next morning Jordan wakes up as her 13-year-old self (played by Marsai Martin), and is forced to relive her middle school years, befriends the school's nerds (JD McCrary, Thalia Tran, and Tucker Meek) in the process. Meanwhile, April has to run the business and prepare for a big pitch to the wealthy and oblivious Connor (Mikey Day). Shenanigans ensue.

Most of Little's humor comes from its premise. Watching Martin pretend she's actually a 39-year-old woman is fun for a little while – credit to her for going all in on the premise – but the joke eventually stops being funny, and the rest of the film's sense of humor is bothersome. The humor often came at the expense of the likable characters; the nerds are made fun of for being nerds, April is the target of fat jokes (which, what?), and Hall's Jordan makes a rather uncomfortable trans joke. This also might be one of the more pro-child abuse movies to come out in a long while, and perhaps the last to do so in a similar stretch. Little is quietly mean, the humor dedicated to knocking characters down and laughing at them. Hall, Rae, and Martin do their best to sell the jokes, with Martin and Rae having some pretty good patter, but they aren't given a lot to work with.

The film's best joke is a one-liner making fun of its own premise with an implied comparison to films like Big and 13 Going on 30. Unfortunately it invites that comparison to indicate why those other films make their gimmicks work while Little fails. The main reason is the storytelling, in particular the length of the main characters' respective journeys. Big and 13 Going on 30 spend weeks to months with their characters, giving them time to undergo personal growth before returning to their original lives. Little gives its main character just two days to find her epiphany and turn her life around. It's not enough time for the journey to stick, or for the lessons to feel earned; Jordan is effectively a tourist in her own narrative, never in any real danger of being stuck in her situation. This issue hits April as well, as she's given just two days to discover her self confidence. Both need more time to learn about themselves, and the film just doesn't give it to them.

Which is kind of odd considering the amount of time the movie has to work with. Instead of exploring the world it's built for itself, the writers (director Tina Gordon and Tracy Oliver) toss in multiple dance scenes that don't advance the plot. There's a lot of this fluff in Little, scenes that don't really carry the narrative or would lead to additional plot points but are ultimately dropped. At the same time there are a number of narrative gaps, things that happen that make little sense because the context was edited out. It feels like Little was just assembled incorrectly; the pieces were there, but the filmmakers didn't have a good understanding of the puzzle they were trying to solve.

Review: Two out of Five Stars

Click here to see the trailer.

Rating: PG-13
Run time: 109 minutes
Genre: Comedy
 
tl;dr

What Worked: Regina Hall, Issa Rae, Marsai Martin.

What Fell Short: Directing, Writing, Mean Spirit

What To Watch Instead: Big, 13 Going on 30

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